period & historical costumes telling story through movement, dance, choreography, combat & color.
“Finally, the costumes in this production were simple yet stunning. I loved the use of color—even beyond the obvious blue for Montague and red for Capulet. For instance, Tybalt’s red was especially vibrant with a vest that felt as sharp as he was. Mercutio wore a checkered suit that illustrated his jester-like qualities while distinguishing him from the two families. Both Romeo and Juliet wore lighter colors, as well: Romeo a softer blue with a looser fit, Juliet in an elegant and girly pink gown. This attention to detail made for a visually appealing production throughout its entire runtime.”
Drama in the Hood
Broadway World“Audrey Herold’s costume design knows where to put the focus and how to stretch a budget.“
GreenStage’s “Romeo & Juliet.” Directed by Luke Sayler. Summer 2023. Photos by Jen Crooks.
“Costuming by Audrey Herold is right on point – smart, attractive, and true to the period.”
Edmonds Beacon
Edmond’s Driftwood Players “Murder on the Orient Express,” Directed by David Morrison. Fall 2023. Photos by Dale Sutton. Nominated for a Broadway World Regional Award for Costume Design.
Dacha Theatre’s “Pride & PrejuDICE,” Directed by Nick O’Leary. Winter 2019. Photos by Brett Love.
GreenStage & Backyard Bard’s “Measure for Measure.” Directed by Erin Day. Summer 2019. Photos by Jen Crooks.
Seattle Musical Theatre’s “Kiss Me, Kate!” Directed by Megan Brewer. Spring 2017. Photos by Jeff Carpenter.
“Merry Wives of Windsor” (Backyard Bard via Greenstage; dir. by Erin Day 2019). 
“A Christmas Carol” dir. by Pat Haines-Ainsworth. (SSR 2017). 
“A Christmas Carol” dir. by Pat Haines-Ainsworth. (SSR 2017). 
“A Christmas Carol” dir. by Pat Haines-Ainsworth. (SSR 2017). 
Sweeney Todd at SMT 2016. 
“Curious George” (SSR 2016). 
“The Toxic Avenger” at BAT 2016.
AUDREY HEROLD 